Thursday, 1 October 2015

Liz Clarke - Knitting Workshop

I've just stared back at University and gone into my second year of study. We had our first Knitting workshop run by Liz Clarke.

I had a few sessions with her last year and i feel that these sessions really help me further my skills in machine knitting.

The image below is one of the swatches i made with her and in the session it was mainly just about getting used to the machines again after some others hadn't been on them for a while so i was just refreshing myself with just some simples steps shown below ( cast on, change colour, and hold position)


 

After i got used to the machines again i asked Liz if she could help me make a sock heel, as this is something i have been wanting to learn for a while as i would like to have a go at making some socks. 

Below is what i made in the session Liz showed me how to do a heel and this is what it looked like in the end. Its a rough sock shape just so i could see how it would be made. 








Monday, 1 June 2015

Proper woolly

So recently me and Jordan went on holiday for a long weekend down to Devon and while we were there i dragged him to a wool show called Proper Woolly which i happened to see on instagram the night before. 



It was such a good show to go and see as i got to see lots of different breeds of sheep and feel their different wool and all the different qualities that different breeds of sheep can give you for wool. 

From seeing all these different sheep i got to watch some of them being sheered and i also got one of the fleeces that i saw getting sheered which was amazing as i feel now when i make that fleece into yarn, i feel i know exactly where it has come from. 





Here is the sheep getting sheered 













It was really nice to be able to watch the process of sheering and then being able to get the fleece to bring home and make into yarn. 


As well as this the show was a great place to meet different people involved in lots of different crafts and also to get to see loads of different types of yarns and there different uses. 





Thursday, 21 May 2015

Bee's

Through this project I've been looking into honeycomb so i was lucky that my dad keeps bees, as i was able to get a first hand look at the honey comb structures that them make themselves and also see how they work.  


 

From being able to see first hand i feel it really help me get into my drawing as before i only had research off the internet to get me started




 It was amazing to be able to see the deep structures that the bees had made to store their honey

 Below is a thing called propalis which is a type of glue that the bees make themselves to fill up any gaps in the hive where any threats could get in, as you can see it has a similar pattern as the honey comb itself 

 

Tuesday, 19 May 2015

Natural history museum

On a recent visit to London I went to the Natural History Museum, i wanted to visit here to further my research into bees. 

 I found this visit slightly helpful as i was able to look at a small selection of bees really up close



But i was also quite disappointed as there wasn't a lot of actual insects on show they were all locked away and you had to arrange to come and view them and someone would get them out for you. A lot of what was on show was simple photos or a computerised thing.





 I did find this visit helpful but if i was to go again i think i will contact them and arrange to have some of the collections and things i would like to look out for me to properly look at.


Sunday, 10 May 2015

Halifax Wool mill

With my current project at university I've been looking into the production of wool and its sustainability. 

So from this i decided to visit a wool mill in Yorkshire to see how it is all made and what processes go into its production. 

There are only a few traditional wool mills left in the UK as people aren't  educated enough in the benefits of buying and using wool so therefore the use of wool has lowered considerably.  
People are not just looking for the cheapest thing on the shelf rather than the quality and sustainability. Most of the UK's fleece from farmers is put onto Wool board where companies can buy the raw fleece for production, sadly a lot of our British wool goes to other countries and comes back as clothing to the UK but then do we really know what has been added to the wool itself?? 
  

On my visit Paul the owner showed me through all of the processes of what happens when they get the raw wool into the mills. They get the raw fleece from designers/ makers who want yarn for their crafts so Paul only charges them for his services of processing the wool. 




 The above image in when the raw fleece first comes into the wool it has to be sorted and graded for quality so that when the wool goes through the carder it doesn't break and make poor quality yarn. 
After its all been sorted and graded it goes for the washing process. 


The next step is to take the fleece and put it into the blending/carding machine where the fleece can be blended with other types of wool and where the carding begins to aline all the fibres in the fleece.  
In the clip below you can see the fleece coming off the carding rollers and being put into the next part of the process, as you can see it comes out as tops, where all of the fibres have been aligned and blended. 
watch this link for a clip: 





It then gets put into the next machine which alines the fibres even more to make a good quality yarn. 
Its then fed up several belts which then spins it slightly. This is shown in the clip below:


The next machine twists the wool and makes to the ply that you want anything from thin to chunky yarn

 


This machine below is where you can mix yarns and twist them together as shown here there is two creamy colour yarns being mixed with a brown yarn. Shown in the clip below: 






The next step in the hank or skein the wool if it needs to be dyed they do not do this at the mill but some designers send it off somewhere else for this to be done, it then comes back to the mill where they put it back onto cones or ball it up.  

  

That is all the processes that raw fleece goes through to become yarn and be used in knitting/ weaving etc 


 Below are some samples that Paul gave to me, these are all natural undyed wools, two of them are also from alpaca's.  



I also asked Paul about what he thinks about sustainability of wool and this is what he had to say: 
"From a sustainability point of view i think the problems are the education/teaching of the production methods with a combination of educating designers to use and source smaller batches of British fibre."


From visiting the wool mill its really helped me understand wool and different fibres a lot more and all the different uses that they have. 
Its was really good to see all this first hand and see how it all works,as before i saw it all being made i didn't really think about what fibres i should be using, and now i think that its one of the most important things to think about before making something as British wool is such a sustainable product and should be used more in the fashion and interior world.







Sunday, 26 April 2015

Claire-Anne O'Brien

Claire-Anne O'Brien is a textile artist who lives and works in London producing textile furniture, space and product. She specialises in constructed textiles, she investigates construction, form and scale through textiles.  

Originally from co.cork in Ireland, Claire graduated from The Royal college of Art in 2010 with an MA in Constructed Textiles and set up her studio just after. 


 I really like the work of Claire as they are so different and unique. I like the fact that she thinks about the wool she uses to make these pieces, they are made from bespoke British wool, especially made by Laxtons Mill in Leeds, which is one of the oldest surviving spinners in the country. 



This is a project that Claire did called 'British Wool Chair' it was commissioned by Rowan Yarns for British Wool Week Oct. 2010 and it was exhibited in Liberties window.



http://www.claireanneobrien.com/home

Wednesday, 8 April 2015

Timorous Beasties

For my current project at university I've been looking into insect and in particular bee's. On a recent visit to Liberty of London I came across a cushion with a bee on: 



After seeing these I realised it was a Timorous Beasties piece so I thought I would look more into the work of Timorous Beasties. 

Timorous Beasties was established in Glasgow in 1990 by Alister McCauley and Paul Simmons, who met studying Textiles Design at Glasgow school of art . Today the studio is a diverse operation and has emerged as a multi award winning, internationally acclaimed icon. 



Timorous Beasties’ work embodies a unique diversity of pattern, ranging from design that echoes a golden age of copperplate engraving (a time-honoured classic is the Thistle range; or Merian Palm superwide wallpaper) to example of a distinctly edgy nature, an elegant transgression, a display of chic irreverence. Yet, the studio fully engages a design discourse with textiles history by lending an aesthetic evolution to time-honoured motifs. 


I really like their work as its so different and unique to them. I like their use of pattern as a background then an image on top of that.                                     
I also like that most of their work involves a lot of bright colours and busy patterns as this makes them really different as almost with their work if it clashes it goes.

                                          


http://www.timorousbeasties.com/about